Django Reinhardt-Memorial-Remastered-2CD-FLAC-2006-FORSAKEN
Description :
Artist : Django Reinhardt
Album : Memorial Label : Empire Genre : Jazz Source : CD Street Date : 2006-05-02 Quality : 325 kbps / 44.1kHz / 2 channels Encoder : FLAC 1.2.1
Size : 284.88 MB
Time : 116:44min Url : http://www.myspace.com/djangoreinhart
Disc 1/2 1. Topsy 3:03 2. September Song 3:25 3. Moppin the Bride (Micro) 2:19 4. Brazil 2:45 5. Anniversary Song 3:32 6. Swing 48 2:46 7. Djangos Blues 3:05 8. Mano 2:53 9. Blues Primitif 2:42 10. Blues Clair 2:44 11. Danse Norvegienne 3:00 12. Blues For Barclay (Take 1) 3:00 13. Ill Never Smile Again (Take 2) 2:44 14. Confessin 2:55 15. Night and Day 2:54 16. Swingtime In Springtime 3:08 17. Blues In Mineur 3:29 18. Manor De Mes Reves 3:48 19. Babik 2:05 20. Swing 39 2:30 Disc 2/2 1. Melodie Au Crepuscule 3:16 2. Feerie 2:19 3. Dinettte 2:53 4. Minor Swing 2:51 5. Swing 41 3:11 6. Artillerie Lourde 4:15 7. Peche A La Mouche 2:15 8. Stockholm 3:19 9. Nuages 3:19 10. Del Salle 3:20 11. Vendredi 13 1:59 12. Sweet Chorus 3:02 13. Crepuscule 3:59 14. Song dAutomne 3:22 15. Folie A Amphion 2:52 16. Swing Guitars 3:02 17. Belleville 2:34 18. Douce Ambiance 2:21 19. Swing De Paris 3:48
1947 was one of the most intriguing years for Django Reinhardt.
Having survived World War II, and having had his first reunion
with violinist Sthane Grappelli and his only tour of the United
States, the masterful guitarist began to seriously explore both
the electric guitar and bebop. Not counting three sessions with
Grappelli, Reinhardt recorded 65 selections (plus three alternate
takes) during the five months covered by this two-CD set,
Memorial. The music deserves to be reissued complete and in
chronological order, but this is a strong sampling of 39 of the
songs. Usually joined by either Hubert Rostaing, Gerard Leveque,
or Maurice Meunier on clarinet plus guitar, bass, drums, and
occasional piano, Reinhardt plays a few standards but mostly
performs his own surprisingly boppish originals. At times the
music is rhythmically awkward although there are some obscure and
rewarding songs on this two-fer that are worth reviving.
Reinhardt would sound much smoother by 1949, but these early bop
efforts (which surprisingly include no Charlie Parker or Dizzy
Gillespie songs) are intriguing and innovative in their own way;
just do not expect the gypsy swing that Reinhardt performed in
the 30s. A bonus is the two selections recorded by Reinhardt as
a sideman with visiting cornetist Rex Stewart.
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